Seduction, manipulation and smuggling: a journey between the inside and outside of an imaginary city - with the exhibition room as a public square, a stage for situations, events and performative actions. While the curators explore the curational and performative strategies of "Protections", the art theorist Claire Doherty investigates the dynamics of an art practice that is both public-specific and site-specific on the paths of the "Protections" exhibition. The subsequent coach trip with the artist Apolonija Sustersic and performance theorist Bojana Kunst - under the fictitious flag of Slovenian Museum of Contemporary Art - takes participants to Maribor and Ljubljana, with a stop off at IKEA. Walks in Progress Co-operation Institute for Acting, University of Music and Performing Art Graz |
Seduction, manipulation and smuggling: a journey between the inside and outside of an imaginary city - with the exhibition room as a public square, a stage for situations, events and performative actions. While the curators explore the curational and performative strategies of "Protections", the art theorist Claire Doherty investigates the dynamics of an art practice that is both public-specific and site-specific on the paths of the "Protections" exhibition. The subsequent coach trip with the artist Apolonija Sustersic and performance theorist Bojana Kunst - under the fictitious flag of Slovenian Museum of Contemporary Art - takes participants to Maribor and Ljubljana, with a stop off at IKEA. Walks in Progress Co-operation Institute for Acting, University of Music and Performing Art Graz |